Wildman Joe

The incredible true story of “Wildman Joe,” an African American man whose life journey, from slavery through a steamboat disaster and years as a ragman, led to a controversial career in sideshows. This episode traces the lives of Joe Rettig and showman Jeremiah “Doc” Kahler, detailing their meeting in Evansville, Indiana, and the creation of the “Wildman Joe” act. 

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Evansville, Indiana A city on

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the river built on grit and

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change.

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But not every story from its

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past is found in the history

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books.

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Some linger in the shadows.

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Tales of survival against
impossible odds.

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Like the story of a man known as
wild man Joe.

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His life started in chains.

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Born into slavery on a North
Carolina plantation, he knew the

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harsh reality of being owned.

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Of a future dictated by others.

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The Civil War ended.

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That freedom came and Joe found

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a new life on the water, working

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the steamboats on the

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Mississippi and Ohio rivers from

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New Orleans all the way up to

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Evansville.

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The place he chose to call home
after the war.

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A taste of independence, of
making his own way.

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Then disaster.

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A steamboat boiler exploded.

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A blinding flash, scalding steam
chaos.

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Joe survived the blast, but he
was terribly burned, his entire

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body forever scarred.

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But Joe’s story wasn’t finished.

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Disfigured and struggling, he

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made his way back to Evansville,

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becoming a rag man, sifting

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through the discards of the

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city.

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A solitary figure carrying the
visible weight of his past.

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A figure living on the fringes.

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You might think historians
there.

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A life beaten down by
unimaginable hardship.

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But Joe carried something inside
him deeper than any scar, a

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refusal to be broken, and that
same spirit that survived

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slavery and fire would propel
him towards a chance encounter

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that led to a future no one
could have imagined.

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You’re listening to River City
Mystery, and this is the story

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of Wild man Joe.

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I see two horribly hideous
looking, little dog like

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creatures in this house.

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It was a disembodied voice.

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It was like a little child
trying to scare us.

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I don’t know what this was.

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I I’ve I’ve heard everything you
can think of.

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This was nothing I’m ever
accustomed to.

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Ever.

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It was terrifying because it was
like our.

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There were so many people.

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To where it was like, are we all
seeing this?

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So everybody is scared.

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The kids are crying.

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The women don’t.

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You know June’s about to lose
it.

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And what are they to do?

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These things will not die.

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Welcome to another episode of
River City Mystery.

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I am your host, Matt Deig.

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In this episode, we’re going to
look at how two incredibly

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different lives shaped by vastly
different worlds collided right

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here in Evansville.

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It’s a story about strange
twists of fate and the power of

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just keeping on.

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Our tale doesn’t begin in
Evansville, not initially.

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We start with Jeremiah Kohler.

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Dot Kohler, as he was widely

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known in the circus world, was a

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character as colorful and

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unconventional as the sideshows

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he ran before he became a

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traveling showman, Koehler had a

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different life, one rooted in

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the bustling, sometimes rough

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and tumble streets of Saint

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Louis, Missouri.

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There he was, a wealthy saloon
keeper running a flourishing

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establishment, and it seems
Koehler’s life in Saint Louis

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wasn’t without its problems.

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He became entangled in serious

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legal troubles, specifically a

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robbery case involving a mail

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carrier.

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While the evidence didn’t

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suggest Kohler physically

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participated in the robbery

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itself, he was implicated and

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eventually convicted of

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complicity.

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The prosecution argued that the

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proceeds from the robbery were

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divided at his saloon, and that

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Koehler was aware of what had

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transpired.

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This conviction led to a

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sentence of five years in the

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state pen.

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Beyond the world of saloons and
courtrooms, Jerry Kohler had a

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passion for the peculiar.

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A knack for finding and
presenting the extraordinary to

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a curious public.

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This led him into the realm of
sideshows, and, most famously in

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his early career, to his
celebrated flea circus.

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Yes, a flea circus.

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Kohler staged his flea exhibit
under strong magnifying glasses,

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allowing audiences to marvel at
the incredible feats performed

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by his tiny troupe of fleas.

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These weren’t just random insect
movements either.

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Collars.

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Fleas were trained.

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They pulled miniature chariots
made of gold and platinum,

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crafted by a jeweler.

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Rode in them, performed on tiny
aerial rings, and even went

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through wedding ceremonies.

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Kohler.

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The barker, would regale

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audiences with entertaining

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tales of how he acquired and

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trained these intelligent

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insects.

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Claiming he had imported fifty

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fleas from Berlin because only

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German fleas had the necessary

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intelligence, he described the

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tedious process of training,

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keeping them swaddled and

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handling them with tweezers,

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allowing them to feed for just

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five minutes at a time on his

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own arm.

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Kohler act was so convincing he
even got hauled into court once

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by a rival who accused him of
stealing a star performer, a

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royal blooded flea named Prince
Henry, supposedly the only one

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of its kind to juggle.

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This led to a truly unusual
court appearance, where Kohler

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had to defend himself by
bringing his entire flea circus

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before the judge.

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He had to prove to the judge
that Prince Henry wasn’t the

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only flea that could juggle.

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In a scene straight out of a

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sideshow tent, the court peered

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through magnifying glasses as

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collars.

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Fleas impressively demonstrated

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their juggling skills, proving

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his innocence and securing his

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release.

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However, just when it seemed

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that Doc had won the strangest

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legal battle in the world,

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tragedy struck his tiny

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performers.

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A sudden pestilence swept
through his collection

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overnight, tragically killing
every one of the trained fleas,

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bringing the curtain down
permanently on Doc Coachella’s

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renowned flea circus.

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The show was over, but Doc

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Kohler, he was just getting

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started.

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Oh, and if you’re wondering if

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he actually did steal Prince

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Henry, he later admitted that he

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did.

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Now let’s turn to the other life
in our story, one that began in

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a place and circumstance starkly
different from Saint Louis

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saloons and flea circuses.

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This is the life of Jo Rettig.

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Jo was born into slavery on a
plantation in North Carolina.

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His early years were defined by

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a life of forced labor

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deprivation and the constant

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threat of violence and family

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separation.

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It was an existence designed to
strip away identity and hope.

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Yet Joe endured.

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The end of the Civil War brought

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a seismic shift, offering the

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promise of freedom and

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self-determination.

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Like hundreds of thousands of

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formerly enslaved people, Joe

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left the South seeking

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opportunity and safety in the

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North.

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His journey brought him to
Evansville, a growing city in

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the Ohio River.

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Here he found work on the
steamboats that were the

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lifeblood of commerce and travel
in the region.

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This was a step towards
independence, a chance to earn a

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wage and build a new life.

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But the rivers, while offering

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opportunity, were also fraught

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with danger.

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Steamboat travel in the
nineteenth century was perilous

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and boiler explosions were
terrifyingly common occurrences.

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Joe was aboard one such
steamboat when disaster struck.

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The boiler exploded in a
violent, scalding blast.

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Joe survived, but the explosion
left him horribly and

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permanently scarred His face and
body were severely burned,

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leaving disfiguring marks.

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The black skin on parts of his

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body was burned away, healing

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into a reddish white scaled

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surface.

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Bearing these severe and very

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visible scars, Jo returned to

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the familiar streets of

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Evansville.

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In the years that followed, he
made his living as a rag man.

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This meant sifting through the

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city’s garbage, collecting

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discarded items like paper,

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rags, scrap metal, anything that

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could be sold for a few pennies

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to survive.

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It was a life on the margins, a
difficult, often solitary

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existence marked by poverty and
the stairs that his

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disfigurement likely attracted
in a society that often shunned

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those who looked different.

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His life seemed defined by

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00:07:49.279 –> 00:07:52.040
Speaker:
survival, hardship and living in

225
00:07:52.040 –> 00:07:53.720
Speaker:
the shadows.

226
00:07:53.720 –> 00:07:55.160
Speaker:
And this is where the universe

227
00:07:55.160 –> 00:07:56.920
Speaker:
and its mysterious and often

228
00:07:56.920 –> 00:07:58.639
Speaker:
unbelievable way brought these

229
00:07:58.639 –> 00:08:00.160
Speaker:
two incredibly different lives

230
00:08:00.160 –> 00:08:01.639
Speaker:
together.

231
00:08:01.639 –> 00:08:05.319
Speaker:
Jerry old Doc Kohler, the
showman with a past of Saint

232
00:08:05.319 –> 00:08:09.110
Speaker:
Louis saloons, legal battles,
and a deceased flea circus found

233
00:08:09.110 –> 00:08:12.870
Speaker:
himself in Evansville and he
spotted none other than Joe

234
00:08:12.870 –> 00:08:15.910
Speaker:
Rettig, the rag man, the
survivor of slavery in a

235
00:08:15.910 –> 00:08:19.149
Speaker:
horrific steamboat explosion
whose body bore the undeniable

236
00:08:19.149 –> 00:08:21.829
Speaker:
dramatic evidence of his past.

237
00:08:21.829 –> 00:08:23.870
Speaker:
Kohler saw Joe not just as a

238
00:08:23.870 –> 00:08:26.149
Speaker:
man, though, but as a potential

239
00:08:26.149 –> 00:08:27.389
Speaker:
attraction.

240
00:08:27.389 –> 00:08:29.110
Speaker:
He saw the scars, the unusual

241
00:08:29.110 –> 00:08:30.589
Speaker:
appearance left by the Burns,

242
00:08:30.589 –> 00:08:31.829
Speaker:
and immediately conceived of his

243
00:08:31.829 –> 00:08:33.870
Speaker:
next exhibit, A Wild Man

244
00:08:33.870 –> 00:08:35.230
Speaker:
captured from the west coast of

245
00:08:35.230 –> 00:08:36.509
Speaker:
the Philippines.

246
00:08:36.509 –> 00:08:38.350
Speaker:
It was a classic sideshow trope,

247
00:08:38.350 –> 00:08:39.230
Speaker:
playing on the audience

248
00:08:39.230 –> 00:08:41.029
Speaker:
fascination with the exotic and

249
00:08:41.029 –> 00:08:42.950
Speaker:
the savage.

250
00:08:42.950 –> 00:08:45.309
Speaker:
Kohler approached Joe with an
offer.

251
00:08:45.309 –> 00:08:47.509
Speaker:
And just imagine that
conversation you’ve got like

252
00:08:47.509 –> 00:08:51.909
Speaker:
this season showman, smooth
talking, presenting a life

253
00:08:51.909 –> 00:08:55.629
Speaker:
dramatically different from
sifting through trash and offer

254
00:08:55.629 –> 00:08:59.669
Speaker:
to leave behind the alleys and
step onto a stage and offer to

255
00:08:59.669 –> 00:09:03.350
Speaker:
turn the very disfigurement that
marked him as an outcast into

256
00:09:03.350 –> 00:09:05.629
Speaker:
the source of his livelihood.

257
00:09:05.629 –> 00:09:08.509
Speaker:
Joe Rettig accepted.

258
00:09:08.509 –> 00:09:13.980
Speaker:
And so Joe Reddig the Ragman was
transformed into Wild Man Joe.

259
00:09:13.980 –> 00:09:15.379
Speaker:
The act was a complete

260
00:09:15.379 –> 00:09:17.460
Speaker:
fabrication, a performance

261
00:09:17.460 –> 00:09:18.580
Speaker:
designed purely for

262
00:09:18.580 –> 00:09:20.139
Speaker:
sensationalism.

263
00:09:20.139 –> 00:09:23.500
Speaker:
But Joe’s physical appearance, a
result of actual trauma, gave it

264
00:09:23.500 –> 00:09:25.379
Speaker:
a disturbing authenticity.

265
00:09:25.379 –> 00:09:28.700
Speaker:
For the role, Joe’s head was
often shaved, leaving only a

266
00:09:28.700 –> 00:09:31.860
Speaker:
small tuft of hair standing
upright over his forehead.

267
00:09:31.860 –> 00:09:33.779
Speaker:
He wore large rings in his ears

268
00:09:33.779 –> 00:09:35.080
Speaker:
and nose and a minimal,

269
00:09:35.080 –> 00:09:36.620
Speaker:
sometimes described as scant or

270
00:09:36.620 –> 00:09:38.299
Speaker:
grassy costume.

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00:09:38.299 –> 00:09:40.879
Speaker:
His skin was sometimes smeared
with many colors of paint to

272
00:09:40.879 –> 00:09:43.860
Speaker:
enhance the savage look.

273
00:09:43.860 –> 00:09:46.600
Speaker:
Ole Dot, Kohler and the other
barkers would deliver elaborate,

274
00:09:46.600 –> 00:09:50.419
Speaker:
often outlandish spiels to the
waiting crowds outside the tent.

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00:09:50.419 –> 00:09:53.620
Speaker:
They claimed Wildman Joe was a
ferocious savage, captured by

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00:09:53.620 –> 00:09:56.860
Speaker:
explorers in remote jungles from
the west coast of the

277
00:09:56.860 –> 00:10:00.379
Speaker:
Philippines to the wilds of
Borneo or Madagascar.

278
00:10:00.379 –> 00:10:01.799
Speaker:
They’d spend tales of him being

279
00:10:01.799 –> 00:10:03.340
Speaker:
acquired at a very high price

280
00:10:03.340 –> 00:10:04.379
Speaker:
from the Smithsonian

281
00:10:04.379 –> 00:10:06.019
Speaker:
Institution, claiming he

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00:10:06.019 –> 00:10:07.419
Speaker:
thirsted for human blood and

283
00:10:07.419 –> 00:10:09.460
Speaker:
lived on raw meat inside the

284
00:10:09.460 –> 00:10:10.059
Speaker:
tent.

285
00:10:10.059 –> 00:10:13.990
Speaker:
Joe would be presented in a pit
or behind bars, often chained

286
00:10:13.990 –> 00:10:17.330
Speaker:
hand and foot, for the
audience’s perceived safety.

287
00:10:17.330 –> 00:10:18.610
Speaker:
Joe’s performance involved

288
00:10:18.610 –> 00:10:19.809
Speaker:
acting the part of the savage

289
00:10:19.809 –> 00:10:20.730
Speaker:
captive.

290
00:10:20.730 –> 00:10:22.870
Speaker:
He would snarl, growl and roar

291
00:10:22.870 –> 00:10:24.409
Speaker:
sounds that Koehler noted sent a

292
00:10:24.409 –> 00:10:25.450
Speaker:
shiver through many in the

293
00:10:25.450 –> 00:10:26.370
Speaker:
audience.

294
00:10:26.370 –> 00:10:27.610
Speaker:
He would eat raw meat, poke

295
00:10:27.610 –> 00:10:28.529
Speaker:
through the bars with a

296
00:10:28.529 –> 00:10:29.529
Speaker:
pitchfork.

297
00:10:29.529 –> 00:10:30.889
Speaker:
Kohler candidly admitted that

298
00:10:30.889 –> 00:10:32.529
Speaker:
they often gave Joe bad whiskey

299
00:10:32.529 –> 00:10:34.009
Speaker:
because it made him actually

300
00:10:34.009 –> 00:10:35.009
Speaker:
wild.

301
00:10:35.009 –> 00:10:36.409
Speaker:
When the whiskey made him sleepy

302
00:10:36.409 –> 00:10:37.529
Speaker:
and less performative, they

303
00:10:37.529 –> 00:10:38.649
Speaker:
would sometimes prod him with

304
00:10:38.649 –> 00:10:40.409
Speaker:
pitchforks to get him to act up,

305
00:10:40.409 –> 00:10:41.450
Speaker:
Koehler recounted with

306
00:10:41.450 –> 00:10:41.929
Speaker:
amusement.

307
00:10:41.929 –> 00:10:43.490
Speaker:
How audiences would cringe and

308
00:10:43.490 –> 00:10:46.110
Speaker:
turn pale, honestly fearing Joe

309
00:10:46.110 –> 00:10:47.450
Speaker:
might break his chains and

310
00:10:47.450 –> 00:10:48.690
Speaker:
attack them.

311
00:10:48.690 –> 00:10:52.210
Speaker:
It was a performance built on
exploitation, fear and a

312
00:10:52.210 –> 00:10:55.809
Speaker:
completely fabricated narrative,
using Joe’s real scars as the

313
00:10:55.809 –> 00:10:58.409
Speaker:
primary authenticating element.

314
00:10:58.409 –> 00:10:59.409
Speaker:
But despite the ethically

315
00:10:59.409 –> 00:11:00.889
Speaker:
questionable nature of the act,

316
00:11:00.889 –> 00:11:02.049
Speaker:
joining the circus changed the

317
00:11:02.049 –> 00:11:03.289
Speaker:
trajectory of Joe’s life

318
00:11:03.289 –> 00:11:04.529
Speaker:
dramatically.

319
00:11:04.529 –> 00:11:06.409
Speaker:
He didn’t just perform for Doc
Koehler.

320
00:11:06.409 –> 00:11:10.210
Speaker:
Briefly, Joe Redick became a
professional sideshow performer

321
00:11:10.210 –> 00:11:11.559
Speaker:
known as Wildman Joe.

322
00:11:11.559 –> 00:11:15.159
Speaker:
For many years he traveled with
various circuses, leaving behind

323
00:11:15.159 –> 00:11:16.240
Speaker:
the life of a rag man.

324
00:11:16.240 –> 00:11:18.120
Speaker:
When the show called, he joined

325
00:11:18.120 –> 00:11:19.879
Speaker:
circuses season after season,

326
00:11:19.879 –> 00:11:21.480
Speaker:
earning a salary that, while

327
00:11:21.480 –> 00:11:23.320
Speaker:
perhaps not large, one report

328
00:11:23.320 –> 00:11:24.559
Speaker:
mentions twenty five dollars a

329
00:11:24.559 –> 00:11:25.519
Speaker:
week at the time, which was

330
00:11:25.519 –> 00:11:26.799
Speaker:
about eight hundred dollars in

331
00:11:26.799 –> 00:11:27.360
Speaker:
today’s dollars.

332
00:11:27.360 –> 00:11:28.440
Speaker:
Not bad.

333
00:11:28.440 –> 00:11:29.720
Speaker:
It was a consistent income

334
00:11:29.720 –> 00:11:31.200
Speaker:
compared to the uncertainty of

335
00:11:31.200 –> 00:11:33.240
Speaker:
collecting scraps.

336
00:11:33.240 –> 00:11:35.080
Speaker:
Joe’s career took him far.

337
00:11:35.080 –> 00:11:37.600
Speaker:
He performed for prominent
circus owners.

338
00:11:37.600 –> 00:11:39.360
Speaker:
His travels as Wild man Joe even

339
00:11:39.360 –> 00:11:40.559
Speaker:
took him across international

340
00:11:40.559 –> 00:11:41.559
Speaker:
borders.

341
00:11:41.559 –> 00:11:42.960
Speaker:
He performed for a circus in

342
00:11:42.960 –> 00:11:44.799
Speaker:
Canada, standing before massive

343
00:11:44.799 –> 00:11:45.399
Speaker:
audiences.

344
00:11:45.399 –> 00:11:47.200
Speaker:
Imagine that a man born into the

345
00:11:47.200 –> 00:11:48.840
Speaker:
utter powerlessness of slavery

346
00:11:48.840 –> 00:11:50.399
Speaker:
in the American South, surviving

347
00:11:50.399 –> 00:11:51.799
Speaker:
a horrific accident that left

348
00:11:51.799 –> 00:11:54.000
Speaker:
him disfigured, scraping by as a

349
00:11:54.000 –> 00:11:55.720
Speaker:
rag man, eventually finding

350
00:11:55.720 –> 00:11:57.379
Speaker:
himself on a stage before thirty

351
00:11:57.379 –> 00:11:58.480
Speaker:
thousand people in another

352
00:11:58.480 –> 00:12:00.039
Speaker:
country.

353
00:12:00.039 –> 00:12:04.159
Speaker:
The story of Joe Rettig wild man
Joe is undoubtedly difficult.

354
00:12:04.159 –> 00:12:07.200
Speaker:
It forces us to confront the
harsh realities of post-Civil

355
00:12:07.200 –> 00:12:09.279
Speaker:
war life for African Americans.

356
00:12:09.279 –> 00:12:10.519
Speaker:
Yet beneath the layers of

357
00:12:10.519 –> 00:12:12.080
Speaker:
hardship and problematic nature

358
00:12:12.080 –> 00:12:14.070
Speaker:
of his act lies a story of

359
00:12:14.070 –> 00:12:16.110
Speaker:
astounding resilience.

360
00:12:16.110 –> 00:12:19.429
Speaker:
Consider the path Jo walked from
the chains of slavery, where his

361
00:12:19.429 –> 00:12:23.309
Speaker:
very identity was denied through
the sudden trauma of a steamboat

362
00:12:23.309 –> 00:12:26.830
Speaker:
explosion that left him scarred
for life, to the difficult,

363
00:12:26.830 –> 00:12:30.870
Speaker:
anonymous existence as a ragman
scraping by to survive.

364
00:12:30.870 –> 00:12:33.870
Speaker:
Any one of these challenges
could break a normal person.

365
00:12:33.870 –> 00:12:36.110
Speaker:
But Jo, he endured.

366
00:12:36.110 –> 00:12:40.149
Speaker:
And when a bizarre, unexpected
opportunity arose, born from a

367
00:12:40.149 –> 00:12:43.309
Speaker:
chance encounter with a showman
whose own life was a series of

368
00:12:43.309 –> 00:12:46.710
Speaker:
unpredictable turns, Jo took it.

369
00:12:46.710 –> 00:12:50.750
Speaker:
He leveraged his very scars into
a means of survival.

370
00:12:50.750 –> 00:12:52.269
Speaker:
He stepped out of the shadows

371
00:12:52.269 –> 00:12:53.789
Speaker:
and onto the stage, performing

372
00:12:53.789 –> 00:12:55.269
Speaker:
for thousands.

373
00:12:55.269 –> 00:12:56.950
Speaker:
His journey is a powerful

374
00:12:56.950 –> 00:12:58.190
Speaker:
illustration of how the human

375
00:12:58.190 –> 00:12:59.169
Speaker:
spirit can find a way to

376
00:12:59.169 –> 00:13:01.490
Speaker:
persist, to adapt, and even find

377
00:13:01.490 –> 00:13:03.009
Speaker:
success in the face of

378
00:13:03.009 –> 00:13:05.350
Speaker:
unimaginable adversity.

379
00:13:05.350 –> 00:13:06.509
Speaker:
From the confines of a

380
00:13:06.509 –> 00:13:08.230
Speaker:
plantation to the spectacle of

381
00:13:08.230 –> 00:13:09.509
Speaker:
the sideshow.

382
00:13:09.509 –> 00:13:13.299
Speaker:
Jo Reddick’s life is a testament
to an unbreakable will.

383
00:13:13.299 –> 00:13:16.940
Speaker:
a man who, against all odds,
never gave up.

384
00:13:18.700 –> 00:13:20.179
Speaker:
And as far as what became of Joe

385
00:13:20.179 –> 00:13:21.980
Speaker:
Rettig, wild man Joe, there are

386
00:13:21.980 –> 00:13:23.460
Speaker:
no records that I could find

387
00:13:23.460 –> 00:13:23.860
Speaker:
that show.

388
00:13:23.860 –> 00:13:24.940
Speaker:
What became of him?

389
00:13:24.940 –> 00:13:26.419
Speaker:
If you have any information,

390
00:13:26.419 –> 00:13:28.179
Speaker:
feel free to share on my discord

391
00:13:28.179 –> 00:13:31.299
Speaker:
at riverCityMystery.com/discord, or you can

392
00:13:31.299 –> 00:13:32.980
Speaker:
just contact me at rivercitymystery dot

393
00:13:32.980 –> 00:13:34.259
Speaker:
com.

394
00:13:34.259 –> 00:13:36.539
Speaker:
I’d love to hear what
information you have.

395
00:13:36.539 –> 00:13:38.019
Speaker:
An old dot Kohler.

396
00:13:38.019 –> 00:13:40.940
Speaker:
He passed away in February of
nineteen nineteen.

397
00:13:40.940 –> 00:13:43.659
Speaker:
An article written at the time
says that he was buried at the

398
00:13:43.659 –> 00:13:45.539
Speaker:
Oak Hill Cemetery in Evansville.

399
00:13:45.539 –> 00:13:46.740
Speaker:
The article states that he left

400
00:13:46.740 –> 00:13:48.259
Speaker:
no relatives but a host of

401
00:13:48.259 –> 00:13:49.299
Speaker:
friends made by cheerful

402
00:13:49.299 –> 00:13:50.620
Speaker:
disposition.

403
00:13:50.620 –> 00:13:52.019
Speaker:
Kohler could laugh the hardest

404
00:13:52.019 –> 00:13:53.379
Speaker:
when his pockets were empty and

405
00:13:53.379 –> 00:13:55.139
Speaker:
a feed seemed the remotest

406
00:13:55.139 –> 00:13:56.340
Speaker:
possibility.

407
00:13:56.340 –> 00:13:57.820
Speaker:
The article says that the old

408
00:13:57.820 –> 00:13:59.340
Speaker:
circus man was fifty six years

409
00:13:59.340 –> 00:14:00.899
Speaker:
old, and prior to his circus

410
00:14:00.899 –> 00:14:02.259
Speaker:
days, ran one of the biggest and

411
00:14:02.259 –> 00:14:03.539
Speaker:
most flourishing saloons in

412
00:14:03.539 –> 00:14:04.460
Speaker:
Saint Louis.

413
00:14:04.460 –> 00:14:05.940
Speaker:
At one time he was wealthy.

414
00:14:05.940 –> 00:14:08.019
Speaker:
He died penniless.

415
00:14:08.019 –> 00:14:10.139
Speaker:
And that brings this episode to
a close.

416
00:14:10.139 –> 00:14:13.100
Speaker:
I hope you enjoyed listening to
the story of Wild Man Joe.

417
00:14:13.100 –> 00:14:14.379
Speaker:
Until next time.

418
00:14:14.379 –> 00:14:15.220
Speaker:
Take care.


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